I’ve been complaining for over a week now that I have to
destroy a beautiful peach dress in my current WIP, and I love the dress too much
to ruin it. It’s a shame I’m not an artist, because, in my head, this gown is
as clear as one of Godey’s fashion plates. It’s slightly off the shoulder, with
sleeves that stop above the elbow. There’s a wide band of glass beads around
the neckline and at the cuff of the sleeves. And if my heroine shrugs her
shoulders, just so, the dress will slip from her shoulders, offering her
companion an ample view of what could be his. Did I mention it was peach in
color? Not pink. Peach.
I’ve cried on the shoulders of my friends and critique
partners, and when I explain that my character is okay with the thought of
getting rid of it, but I’m the one having trouble coming to grips with its
destruction, they look at me as if I’m crazy. But it was to be her engagement
dress, and events didn’t quite unfold as she had anticipated. So the dress had
to go. I spent all day Friday working on it, and finally, with a few tears,
said goodbye to the peach perfection.
And then, yesterday, during a lake-effect snowstorm, I drove
to the other side of the city for a field trip with my chapter of the Romance
Writers of America. We were to view a series of wedding gowns from the 1830s up
to the 1990s. The crown jewel of the exhibit was a gown created by French
designer Charles Frederick Worth in 1879. Worth was the Vera Wang of his day.
Everyone who had the necessary wealth to own one of his creations lined up
around the block for the privilege of wearing his gowns. And to have one of his
gowns in any historical collection of textiles is truly a gift that keeps on
giving. The entire collection of gowns sparked a plethora of ideas among our
group, as we fashioned our own stories about what truly happened to the women
these gowns belonged to.
The Worth gown was a confection in ivory silk satin, and had
all the bells and whistles. It had ruching, beads, pinched pleats, lace cuffs,
seed pearls, a cutaway skirt—everything my heroine would want in a wedding
gown. Eureka! Suddenly the engagement dress gave way to a wedding gown, complete with a lace veil. I can’t wait
to sit down this afternoon and begin to construct Jasmine’s perfect gown for
her walk down the aisle. Because, as we all know, romance books must have a
Happily Ever After.
Gorgeous and very interesting. The details are wonderful. Your blog reminds me of your book covers. :)
ReplyDelete-R.T. Wolfe
Fantastic post, Becky! LOVE the sensory details about the gowns. You made me see and feel them! I'm a fashion gal, so this was awesome! :D
ReplyDeleteTraci :)
One of my pinterest boards is dedicated to vintage fashion. I lean mostly towards dresses from the 1910's, and love the incredible detail that went into them. I have a story idea for that age, and I swear my heroine will be the best-dressed gal around!
ReplyDeleteLovely post. I would love to attend that exhibit...
I'm smiling because I ruined a lovely ivory satin gown in my second book.
ReplyDeleteLoved the post and picture!
Do you know if the famed Worth Avenue in Palm Beach, Florida is named after Charles Frederick Worth? His name is new to me and it seemed like a possible connection.
ReplyDeleteyou're lucky to have seen that collection. I am drooling just from imagining it!
ReplyDeleteWe "ruined" Gigi's Vera Wang gown in Love, Eternally. Thanks for the reminder. :) One of my great-grandmothers wears a gown worthy of Worth in an old family photo, and I wish it had been passed down to me! I have spent many an hour looking at antique clothing in museum collections and wondering who owned the beautiful gowns, waistcoats, gloves and hats. Thanks for a great article!
ReplyDeleteThat exhibition was on in Wellington (New Zealand) but I couldn't fit in time for a visit. I thought it would be great, and was sad to have missed it. I can understand your grief at destroying a beautiful gown.
ReplyDelete