The Editing Cave

For about the past month, I've been in editing mode. The ninth and final book in my Cotillion Ball series is due to the publisher in a matter of weeks, and i'm tediously going through my checklist as I hone my rough first draft into a final version.

I took a workshop last month through RWA and the instructor made a comment that a first draft can be so rough it can sand wood. But, with the proper editing, no one will know what the first version looked like. As the child of a homebuilder, I love the analogy.

Stephen King once said, “To write is human, to edit is divine.” I knew we were kindred spirits. 

For me, the first draft is merely the first step. Each time I go back through my manuscript, from start to finish on each occasion, I have a set order to my process. Six, seven, eight times through. It doesn't matter how many times I comb through it. Each time, I'm looking at some different aspect of my work. Finally, when I can read through it with my hands off the keyboard, I can send it off. 

As I write this, I'm about 2/3 of the way through the fifth draft of the story, making what I hope will be my final edits–adding in the missing words, tying up the loose story threads, adding description and texture to the story. I should be able to finish it up by next week, and then read through it once or twice more before I send it off. But if it takes more read-throughs before I can keep my hands off the keyboard, so be it. Some books are harder to write than others. 

Every author has a different approach to the creation of a story. Some write out of order, laying down scenes as they appear in the author's imagination and then piecing them together like a big jigsaw puzzle. I admire these writers, since I can't do it. Some use an outline and synopsis to make it clear to themselves which way the story should go. I use this linear approach, but don't make it so detailed the story and characters can't surprise me as I write. 

Whatever process one goes through to get to the final, shiny, polished story, it shouldn't be rushed. There are too many books out there with typos and poor grammar, in both the traditional press and self-published works. I want my manuscript to be as clean as it can be when I let it go. If all the niggling little things are done when it goes to my editor, she can concentrate on the story line and strengthen that, instead of worrying over too many commas and the difference between heard and herd. 

For everyone participating in NaNoWriMo, I hope you take the month of December to turn your piece of sandpaper into a shiny, polished pearl before you send it off to an agent or publisher. Don't rush the process. The end result will be worth it.