TRR's Blog Hop--Day 6--Amanda L.V. Shalaby

I adore Amanda Shalaby. Not only is she a wonderful author of two historical books, Rhianna and Audra, but she is a truly genuinely nice person. And she has gorgeous hair!

One of the best parts about becoming a Crimson Romance author is developing friendships among the other authors who are also represented. Sometimes, the relationships form naturally, as with other members of your RWA chapter. But the friendships I love the best are the ones that develop because you really admire the way a person writes. Amanda is an historical writer, as am I. (I do have a contemporary side, too, but with Crimson, I'm known as an historical writer.) So, the fact that we both write historical romances led me to first reading her book and vice versa. I was so impressed with Rhianna because it was so beautifully written. I kept going back and reading segments of it, just so I could hear the words. My dog got to hear many passages read aloud, because I loved the way the words felt on my tongue. Amanda's work is lyrical, almost. You can sense the waltzes taking place as you read. Her descriptions of the ballrooms and the gowns make the reader feel they're there, in the story with Rhianna. Here's a bit about the book:

Upon the unexpected death of her parents, Rhianna Braden finds the enigmatic Lord Guilford Kingsley on her doorstep. He escorts her to Kingsley Manor, where family secrets and scandals begin to unfold. Her uncommon beauty captures the attention of the dashing Lord Thayne Brighton of Ravensleigh, but Rhianna is certain, despite their mutual attraction, that he would never choose her over his wealthy intended. Meanwhile, Lady Lydia Kingsley suspects her husband's attention to Rhianna has led to an affair between them. Events turn deadly when the truth of their relationship is discovered. Eventually, Rhianna is forced to make a life-altering decision while discovering that some secrets are not meant to be kept.

The most recent addition to Amanda's booklist is Audra. We meet Audra in her first book, but she's a secondary character, and a child. In Audra, she comes into her own, and even though she's still young, Audra has a mind of her own. Read more of her story:


Audra Kingsley, a wealthy heiress, may not have seen much of the world, but she knows exactly how she wants her future to play out - and a coming out ball held at her country estate, Kingsley Manor, would suit her just fine. Her father’s wish that she be presented at St. James in London seems silly since she is to marry her neighbor and childhood sweetheart, Lord Crispin Brighton, but she obliges him.
Audra travels to London with her patroness, the eccentric Lady Sutherland, intending to return home as soon as she has curtseyed to the Queen. Unknown to her, Lady Sutherland is in no rush to leave London before the Season is over and intends to show Audra she has more options in the suitor department than Lord Crispin, a second son.
Audra finds herself surrounded by few friends and is forced to attend parties, balls, and operas - all while becoming the object of a secret admirer’s obsession. As Audra struggles to make her way home to her beloved, plans to compromise her into an unwanted marriage are underway.

I highly recommend Amanda Shalaby to you, especially if you enjoy reading historical romances.

Remember, if you sign up to receive my newsletter (button to do so is on the right side of this page), you are automatically entered into a drawing to receive an e-copy of my latest: The Tempestuous Debutante.

Post-Regency & Pre-Victorian – Why I Write In-Between

I am so lucky to be able to host the lovely and oh, so talented fellow Crimson Romance author, Amanda L.V. Shalaby on my blog today. Her new book, Audra, is being released tomorrow, April 29, and she told me there was no place she'd rather be than right here today. She offered to explain her rationale for why she writes in the English time period that she does--or rather, between the time periods that she does.  Take it away, Amanda!

As a fan of both the Regency (1811-1820) and Victorian (1837-1901) Eras, even I was surprised when the majority of the action in both of my English historical novels ended up taking place between 1832 and 1836.  It certainly wasn’t my intention from the start.  It took the accidental placing of a major plot point at the time of an incompatible historical event to shift both stories to the timeline they belonged.

There was a time – it seems so long ago now – that I was an English 19th century history virgin.  As the story was coming together for my first book, Rhianna, I was ferociously devouring all things Jane Austen.  The music, the hairstyles, the clothing, the etiquette, not to mention the ins and outs of daily life in the city, in the country, and the modes of travel.  I read history books and traveled to England, examining every aspect of every corner of life during Jane Austen’s existence, determined to get my facts straight.  Rhianna was going to be an historically accurate depiction of the time in which the story was set – Jane’s time!

Except I up and sent my heroine to school in France during the Napoleonic Wars (1803-1815).

Blast!  After all that research and study, I thought you could have asked me anything!  When did the Union Jack Flag come into existence? What popular drink rivaled beer?  What card game is the ancestor of bridge?  But apparently, you wouldn’t have been able to ask me if the country was at war, because I shipped homegirl off to Napoleon. 

Are.  You.  Serious.

I learned a lot from that little discovery.  First of all, my history lessons were clearly far from over (though, I have come a long way since then, I promise)!  Secondly, you have to be flexible with your writing.  Sometimes, you have to let the story tell itself – sometimes even when it takes place.  In Rhianna’s case, her schooling in France was critical to the storyline, so the timeframe had to be pushed back (and subsequently, Audra, a follow-up which takes place four years following the end of Rhianna).  I had to let Jane’s time go.  I had to re-focus my research efforts (and had a blast doing it) on a new, in-between time – post-Regency, pre-Victorian – because that is when the stories happened. 

And who’s going to fight that?



Thanks, Amanda, for explaining. Sometimes (often), you do have to let your characters hijack the story and let them tell it for you, research be damned.


Here's the teaser for Audra. Did I mention it's being released tomorrow?

Audra Kingsley, a wealthy heiress, may not have seen much of the world, but she knows exactly how she wants her future to play out - and a coming out ball held at her country estate, Kingsley Manor, would suit her just fine. Her father’s wish that she be presented at St. James in London seems silly since she is to marry her neighbor and childhood sweetheart, Lord Crispin Brighton, but she obliges him.

Audra travels to London with her patroness, the eccentric Lady Sutherland, intending to return home as soon as she has curtseyed to the Queen. Unknown to her, Lady Sutherland is in no rush to leave London before the Season is over and intends to show Audra she has more options in the suitor department than Lord Crispin, a second son.

Audra finds herself surrounded by few friends and is forced to attend parties, balls, and operas - all while becoming the object of a secret admirer’s obsession. As Audra struggles to make her way home to her beloved, plans to compromise her into an unwanted marriage are underway.


You can buy it right now by going here:   http://www.amazon.com/Audra-Crimson-Romance-ebook/dp/B00CA9DEUW/ref=sr_1_2?s=digital-text&ie=UTF8&qid=1365800160&sr=1-2&keywords=audra


News Flash: Amanda's first book, Rhianna, is up for an award by In'D Tale! She'd love to have your vote. Please go here to register and vote for Rhianna.  http://www.indtale.com/2012-rone-awards

Meet historical romance author Amanda L.V. Shalaby!

Today, I'm honored to have fellow historical romance author Amanda L.V. Shalaby as my guest. Her debut novel, Rhianna, was released on July 16, 2012 by Crimson Romance. Here's a taste:

Upon the unexpected death of her parents, the curate and his wife, the enigmatic Lord Guilford Kingsley arrives on her doorstep and offers to personally escort a mourning Rhianna Braden back to England from France, leaving behind her admirer Philippe who has just proposed. Shortly after Rhianna’s arrival at Kingsley Manor, family secrets and scandals begin to unfold that involve not only her deceased parents, but Rhianna herself.

Rhianna settles quickly into Kingsley Manor, finding pleasure in the company of Lord Kingsley and his twelve-year old daughter, Audra. Unable to decide if she is in love with Philippe, a count who offers wealth, position and a family who welcome her with open arms, she accepts a position as governess to precocious Audra, thus delaying her return to France and an answer to Philippe’s proposal.

As she continues to seek answers from both Kingsley Manor and her own heart, her uncommon beauty captures the attention of the dashing Lord Thayne Brighton of Ravensleigh, who Rhianna is certain, despite a mutual attraction, would never choose her over his wealthy intended. Meanwhile, Lady Lydia Kingsley suspects her husband’s attention to Rhianna has led to an affair between them, and things turn deadly when the truth of their relationship is discovered.

Eventually, Rhianna is forced to make a decision that will affect the rest of her life while discovering that some secrets are not meant to be kept.

 

You have such a lovely, lyrical quality to your writing. Do you have a music background? Or do you listen to music as you write?

Becky, thank you for such a beautiful compliment.  I do wish I could play the piano, but I didn’t appreciate the music lessons my mother thrust upon me as a young girl.  Her words, “You may wish to know how to play someday!” held no meaning for me early on, and I abandoned it as quickly as possible.  One day, I hope to take them up again.  In the meantime, I did enjoy listening to the classical masterpieces of Bach, Schubert, Vivaldi, and the like, during certain parts of Rhianna.

I know you are working on another novel at present. Tell us about it and when you project it will be ready to submit.

For those who have read Rhianna, they are familiar with a character by the name of Audra Kingsley.  She was only twelve years old in the pages of Rhianna, but she has since informed me that she is now sixteen and on her way to London to be presented at St. James.  Once a full-fledged member of Society, she intends to return to her hometown of Thornton, England and marry her childhood sweetheart.  But, as it turns out, there are some unscrupulous persons who have other plans for the heiress.

Audra’s story is about a third of the way completed, and I hope to have the first draft ready by fall.

What is your writing process? Do you outline your story first or do you just go with it?

The characters have almost always come first.  They have a tendency to whisper snippets of their stories to me at the most inconvenient times.  After that, I find myself writing down conversations between characters, often with no idea at what point in the story they take place.  After the first 20,000 words are written, the story in its entirety generally hits me in one fell swoop, and I will jot down a rough outline, just so I don’t forget anything. 

Do you have a good image of the physical characteristics of your hero/heroine when you are writing the story? Do you select the actors you’d like to have in the movie and build your story with them in mind?

Generally, I have a good idea what my characters look like, but I have never based them on real people or on the looks of actors/actresses.  I do have a contemporary romance that I’ve started working on, and after a few months, I did come across an actor that looked like my hero, but it was more coincidental, and I didn’t base my hero off the actor.

After Rhianna was completed, I set up a Pinterest board dedicated to the story, and I had some fun looking for actors who did have a resemblance to my characters.  The board mostly includes photos of the English landscape, drawing rooms, ball rooms, and a few other items that make an appearance in the novel.  It was fun to put together, and adds another element of bringing the story to life.

How do you take care of the research needed to write an historical?

Oh!  I have been researching 19^th Century England for fourteen years, and I have my own library of factual books that I have pored over!  I also had an opportunity to visit England, which was a great thrill for me, and something I hope to do again soon.

What authors have influenced you?

My greatest inspiration for my English historical stories remains the classics, especially Jane Austen.  Charlotte Brontë is a close second.

What’s the first romance you remember reading?

The first romance I read was Jane Austen’s Pride and Prejudice.  A book I have read again and again over the years.

How can people get in touch with you? And buy your book?

You can find me in a variety of places, www.facebook.com/amandalvshalaby, www.twitter.com/amandashalaby and www.pinterest.com/amandalvshalaby among them.  But the best place to find me is at my WordPress site, www.amandalvshalaby.wordpress.com.  From there, you can learn more about me, my books, upcoming events and news, and links to buy Rhianna at the major ebook retailers.